In week 4, it's all about visual syntax, semantics, and pragmatics. What do these three concepts mean?
First and foremost, the definition of syntax according to Robert Valin Jr. (2001) which is also known as "syntaxis" in Ancient Greek, is a verbal noun which literally means 'arrangement' or 'setting out together' of words that are arranged to show connections of meaning. In other words, visual syntax is the forming of words or sentences when seeing and object or image. For example: when a boy, no older than six who sees a dog on the streets will spell out the letters D-O-G as he believes the letter D represents the dog.
In this case, using Paul Martin Lester (2006) theory "Syntactic Theory of Visual Communication" is far more clearer as to why we need to understand visual communication. He believes that images now fill out everyday life, whether in newspapers, magazines, books and even clothing represents millions of words. However, it does depends on how we perceive the image, for example: a man only exposed in semi-light. Therefore, our mind will automatically, analyze the image and give a visual syntax with the words, mysterious, dangerous, fear, drugs and so on.
Second is semantics, according to linguist Lynne Murphy, (2010) defines semantics as "the study of word meaning." This is useful for analyzing visual communication because of four main factors: Kinesics is the study of body language, proxemics is the study of relationships, ethmology is the study of change in meanings due to time and space, and lastly semiotics the study of signs. It all ties to learning the human behavior on how and why they react to signs or images.
And lastly, pragmatics is defined as the set of rules that determines the perception of signs and images. Rules such as codes, modality, the sender, the receiver, and context determine the changes in meaning of the signification and sign in visual communication. Firstly, codes are the ideology taught to individuals to understand what they see. For example: a car is a car, not a train. Secondly, modality is defined as the message that is transmit information, for example the perception of "who is the terrorists" the media portrays. Those who control the mediums of information are the senders, they have the power to transmit either corrupt information or justice information to the receiver to follow and conform to these values. Lastly, is the context of message: space and time changes the use of language. In modern society, it is now liberal to swear, however using the same word in different situations can determine what the person is actually saying.
In conclusion, syntax, semantics, and pragmatics is used to understand visual stimulation with a linguist perspective. The phrase "a picture is word a thousand words" is very true in this week's lecture, syntax's concept of visual communication is about using letters as symbols of images. For example: C is for C-A-T by learning this at a young age, individuals imprint the words to the image automatically. These imprints in other words are semantics where the individual can relate meanings to the images they see, however, depends on the pragmatics. Pragmatics is all about the culture, ideology, and customs taught in society, where semantics will determined with what they are taught to accept and reject during visual stimulation.
Referencing List:
Lester, P. M. (2006) "Syntatic Theory of Visual Communication"
Retrieved from:
Murphy, M. L. (2010) Lexical Meaning. Cambridge, United Kingdom.
Van Valin, R. D., Jr. (2001) An Introduction to Syntax. Cambridge, United Kingdom.
Generally, you have a good command of the concepts and have articulated them correctly. However, the question you posed is not a question from the module outline. Please choose one of the questions instead of your own because just explaining what the concepts mean is insufficient for a scholarly blog. You should be analysing and applying the concepts rather than reiterating its definition.
ReplyDeleteNevertheless, some good work here and there is some well used examples to explain the concepts.